Etree - OldNeumanntapr - 68 shows
Last Update: Sunday May 17, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (24) | EMAIL ]


DISCLAIMER:


NONE OF MY SHOWS IN THIS LIST WILL MATCH MD5 / SHINID FILES POSTED AT ETREE!


I tag all my files and often times change file names to reflect etree standards. When tags are added, altered, MD5 files will error. Consequently I Delete ALL MD5 files from traded FLAC.


IF HAVING NUMBERS MATCH IS MORE IMPORTANT THAN MUSIC FOR YOU, PLEASE DO NOT CONTACT ME FOR TRADES. Thank you.


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Nothing on this list is for sale!!!! These shows are available for trade ONLY!


                                                             


                                                                                                


I have Almost THREE Terabytes of FLAC that I've received through electronic trades / Hardrive swaps, that have not as of yet been added to the list!


 


Some shows I have on BOTH FLAC and CD. The # of FLAC listed equals the # of CDs. If a 0 is listed, then I ONLY have the FLAC copy. If WAV is listed, it was sent to me as a WAV file and has not yet been converted to FLAC.


I've been a live-Music taper since 1986, and currently use Neumann KM-140 microphones.      


After taping with DAT since 1994, I switched to a Tascam DR-100mkII flash recorder in mid 2013.


I am in the process of converting all my DATs and CDs to FLAC. All the DATs have been transferred but will not be updated on the list until I am ready to convert them to FLAC. Some still need to be split into tracks with Audacity.


(My masters are listed in the notes column on the far right side.)


If You Are Not Interested In Keeping Track Of Audience Recording Details Please Do Not Bother Contacting Me.


My interests are rather varied, as you will see.


 


CDRs from my DATs have been burned with an HHB CDR 800 pro standalone recorder, from 1998 to 2013.


I am no longer able to transfer DAT recordings, as all of my machines have problems, but all my DATs have been transferred. There are a lot that need to be tracked and FLAC'd.


 


Soundboard and Audience recordings are graded on different criteria.  


An A+ Audience Will Not Ever Match An A+ Soundboard; A Listing Of An A+ Rating Is Simply The Highest Grade In Its Respective Class.


Sound quality grading is subjective, (especially for older shows. For example, a recording from the 1970s will never match the sound quality possible with today's digital recording technology, and should be judged in accordance to the sound recording technology of the time.)


Sound Quality Ratings:


A+ Exceptional; usually reserved strictly for soundboards but I have also given this grade to some of my best FOB Digital Audience Masters, as well as other exceptional Front Of Board Audience recordings. A  Very Good. No flaws. (I don't consider minor polite applause Between songs on an audience recording to be a flaw.) A- Pretty good, but might have a few minor flaws; ie: less than ideal mic placement, some crowd noise on audience recordings, or other misc flaws, ie; slight hiss on soundboard recordings, or very slight distortion. B+ Good but not quite up to an A or A- rating. B More crowd noise, more distortion, or multi generation copies, etc. 


Not Currently Trading With Anyone Out Of My Circle. But, if you're looking for something specific, hit me up and I can send via Wetransfer.com


 

View List:
Jump To Artist:

The Del-Tones  
  Date Venue - City, State Sound Quality Source Notes Media  
1. 08/03/19 Alpine Village - Torrance, CA A SP-CMC8 (Audio Technica AT-943 Microphone Pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 (24bit/48khz) Recorded And Processed By Flying -M- iZotope RX6 advanced & Har-Bal 3.0 > CD Wave > AudioGate Aqua (16-44) > TLH (flac 8) 0 FLAC  

Dick Dale  
  Date Venue - City, State Sound Quality Source Notes Media  
1. ??/??/65 Ciro's Le Disc - West Hollywood, CA A Soundboard Reel ; Re Released Vinyl LP >WAV >FLAC w/The Del Tones 1 FLAC  
2. 06/??/83 Golden Bear - Huntington Beach, CA A Soundboard; Vinyl OOP LP >Cass >FLAC 25 Min. 1 FLAC  
3. 02/10/90 Bogarts - Long Beach, CA A Sony ECM-909 Stereo Cardioid >Sony WM-D6C Transfer: LUXMAN K-111 HX Pro Stereo Cassette Deck->Audacity (Levels adjusted, tracks created, no EQ). flacs created with Switch, MD5 file created with xACT. 0 FLAC  
4. 02/22/92 The Catalyst - Santa Cruz, CA A Unknown FOB Cassette-Master Audience Lineage: unknown microphones > unknown model deck > Dolby B encoded Fuji DR-II 100 cassette master. Transfer [2013-06-15]: Nakamichi Dragon (Dolby B decoded) > Macintosh with Digidesign Audiomedia III card > Pro Tools (minor "nip & tuck" edits, normalization & tracking - no equalization or DNR) > AIFF > xACT (Flac level 8 files with sector boundaries verified). 2 FLAC  
5. 08/18/94 The Pier - Santa Monica, CA A FM Broadcast   1 FLAC  
6. 01/13/95 Slim's - San Francisco, CA A+ Digital Soundboard   0 FLAC  
7. 01/14/95 The Catalyst - Santa Cruz, CA A Nakamichi CM-300's w/CP-1 Cardioid Capsules->Sony WM-D6C (Recorded By OldNeumanntapr) FOB; Left, Floor, Audience Master->CDR Via: Sony TC-D5M->HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.25 1 FLAC  
8. 03/25/95 Paradiso - Amsterdam, Netherlands A FM Broadcast (Dutch Radio Show [VPRO])   1 FLAC  
9. 05/10/95 S.L.O. Brewing Company - San Luis Obispo, CA A- Nyquist Omnis >Sony TCD-D7 DAT (Recorded By OldNeumanntapr) FOB; Digital Audience Master (Crowd Is A Little Loud And Rowdy. Minor Brickwalling) DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO, CD Masters >One-Track WAV Files > Audacity (Track Splits, Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.37 1 FLAC  
10. 09/28/95 Shank Hall - Milwaukee, WI A Sonic DSM-6Ps >Sony WM-D6C (Maxell XLIIS w/Dolby C) Transfer: Master tapes >Harmon Kardon TD 302 deck, heads aligned to each tape side, dolby C decoded >Zoom H2 @16/44.1 >editing & tracking with wavepad> flac level 8 & checksums created with traderslittlehelper No EQ, noise reduction or other "sweetening" has been performed on what I hope is an accurate reflection of the source recording. Analog to digital transfer and all other mastering by arfarf 2011-02-25 0 FLAC  
11. 10/03/95 Horseshoe Tavern - Toronto, ON A Unknown Mics->Mini Disc Master->CDR   1 FLAC  
12. 10/25/95 The Other World - St. Louis, MO A Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
13. 05/22/96 Bluebird Theatre - Denver, CO A Sonic Studios DSM6 > 85 Cycle > Bass Roll-Off > Sony TCD-D7 DAT Transfer:Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) Trade FLACs >WAV (Change File Names To Reflect Etree Standards) >Audacity (Split 'Ghost Riders' & 'Hot Links' Into Separate Tracks, Combine Both 'Bandito' Tracks Into One Song, Minor Edits [Hand Clap Removal], And Minor De-Amplification Of End-Of-Song Crowd Noise) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
14. 05/24/96 The Bottleneck - Lawrence, KS A DSM Sonic Studio Microphones >Sony WM-D6C (XLIIS) Creative >CDWave To Split Tracks >FLAC. Trade FLACs >WAV >Audacity (Split 'Shredded Heat' & 'Nitro' Into Separate Tracks, Split 'Hava Nagila' & 'Gypsy Fire' Into Separate Tracks, Minor Hand-Clap Removal / Crowd Noise De-Amplification) >Change File Names To Reflect Etree Standards >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr. Setlist By OldNeumanntapr 0 FLAC  
15. 07/18/96 The Pier - Santa Monica, CA A KPCC-FM Broadcast   0 FLAC  
16. 11/27/96 Frankies Patio - Ybor City, FL A+ Sonic Studios DSM-6P's >Denon DTR-80P (Recorded By Ray DeCosta) File cloned in Microtrack using a Tascam Deck > Goldwave Tracking > TLH8 Transfer Dolphinsmile (TTD Feb 2021) Re-mastered by Flying M (April 2021) Har-Bal 3.7 & iZotope RX8 advanced > CD Wave > TLH FLAC  
17. 02/21/97 The Coach House - San Juan Capistrano, CA A Unknown Mics->Sony WM-D3 Cass Master->Untracked AIFF File->Soundforge->FLAC->CDR->FLAC Trade CDs >FLAC (Level 8) Via xACT 2.25 1 FLAC  
18. 04/06/97 Blind Pig - Ann Arbor, MI A Digital Soundboard; Sony TCD-D8 >FLAC >WAV >CDR (80:29) Trade CD >FLAC (Level 8) Via xACT 2.41 1 FLAC  
19. 04/10/97 Bogart's - Cincinnati, OH A Unknown Audience Trade FLACs >WAV >Audacity (Combine Tracks, Re-Track, De-Amplify Last Two Tracks By 1.0 db) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
20. 04/12/97 Graffiti Lounge - Pittsburgh, PA A FOB: Sonic Studio DSM mics >Battery Box (w/Bass Cut Filter) >Sony TCD-D8 master (KAO Gold KD4-90m) Master Transfer: Sony DTC-ZE700 >Tascam DR-40 (SD Wave Recorder 16/44.1 kHz) WAV >Audacity (Amplify, Track Splits) >FLAC (Level 8) + Tags Via xACT 2.47 Recorded By: Steve Transferred By: King Rue Audacity, FLAC, Tags, & Setlist By: OldNeumanntapr 0 FLAC  
21. 04/16/97 Irving Plaza - New York, NY A Pre-FM Broadcast Radio Station Disc This was a MSN 'On Air' broadcast disc sent to radio stations to be broadcast on June 15, 1997 to promote Dick's compilation on Rhino Records - 'Better Shred Than Dead: The Dick Dale Anthology'. Highlights are live renditions of three singles "Let's Go Trippin'", "Misirlou" and "Mr. Peppermint Man". 0 FLAC  
22. 06/07/97 Sharon Meadows, Golden Gate Park - San Francisco, CA A- Unknown FOB Digital Audience (Some Minor Distortion, Some Minor Microphone Handling Noise) Additional post processing by OldNeumanntapr: Source FLACs >WAV (xACT 2.35) [Renamed Tracks] >Audacity (New Track Splits / Minor Edits) >FLAC (Level 8) Via xACT 2.35 1 FLAC  
23. 06/13/97 Shoreline Amphitheater - Mountain View, CA A FM Broadcast; CD-R >LiteOn iHAP322 >EAC v. 0.99 Prebeta 4 (Secure) >FLAC (Level 8) >CDR >FLAC (Live 105 FM BFD #4) Trade CD >FLAC (Level 8 Via xACT 2.41 1 FLAC  
24. 04/05/98 The Magic Stick - Detroit, MI A Unknown Digital Audience Sound Is Clear And Up Front, But Occasionally Shifts From Stereo To Mono And Back. 1 FLAC  
25. 04/11/98 Graffiti - Pittsburgh, PA A FOB: Core Sound Binaurals >Sony TCD-D7 >DAT I >CD-R >EAC v. 0.99 Prebeta 4 (Secure Mode) >FLAC (8) >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
26. 05/02/98 Bluebird Theatre - Denver, CO A Sonic Studios DSM-6 Microphones >Sony TCD-D7 Transfer: Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) 2 FLAC  
27. 07/31/98 The Forum On Marsh - San Luis Obispo, CA B+ FOB, Right; Nyquist Omnis >Sony TCD-D7 FOB, 15 Feet In Front Of Right PA Stack: DAT Master Transferred Via: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO CD Masters >FLAC (Level 8) Via xACT 2.41 FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 4.65db, EQ [Roll Off Frequencies below 250 hertz] Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity, FLAC, Tags, & Front-Cover Artwork By OldNeumanntapr Some Minor Distortion (Made Better By Post Production) In Places And Loud Obnoxious Crowd Toward End Of Show. 1 FLAC  
28. 04/17/99 Graffiti Lounge - Pittsburgh, PA A FOB: Sonic Studio DSM mics >Battery Box (w/Bass Cut Filter) >Sony TCD-D8 master (KAO Gold KD4-90m) Master Transfer: Sony DTC-ZE700 >Tascam DR-40 (SD Wave Recorder 16/44.1 kHz) WAV >Audacity (Amplify, Track Splits) >FLAC (Level 8) + Tags Via xACT 2.47 Recorded By: Steve Transferred By: George Rue Audacity, FLAC, Tags, & Setlist By: OldNeumanntapr 0 FLAC  
29. 04/27/99 Higher Ground - Winooski, VT A+ Digital Soundboard Post : Sony PCM R500 > Sound Devices MixPre6 (1st gen) [@24/48] Every transfer was processed with Magix AudioLab Premium using: Level Correction, Stereo Enhancer (broaden stereo image) and Graphic EQ (Hi-Fi for music) as well as fade in/fade outs. ************************************************************************ FLAC >WAV >Audacity (Down Sample To 16 Bit / 44.1kHz, Re-Track) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
30. 04/09/00 Regent Street Retreat - Madison, WI A Unknown Digital Audience Trade FLACs >WAV >Audacity (Re-track, Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.41 By OldNeumanntapr 0 FLAC  
31. 04/09/00 Regent Street Retreat - Madison, WI A Unknown Digital Audience Trade FLACs >WAV Via xACT 2.37 >Audacity (Re-track, Change File Names To Reflect Etree Standards) >FLAC (Level 8) + Tags Via xACT 2.37 By OldNeumanntapr New Setlist By OldNeumanntapr remastered by -M- iZotope RX4 advanced & Har-Bal 3.0 > Audacity (combine all tracks) > iZotope RX 4A > CD Wave > TLH (flac 8) 0 FLAC  
32. 04/15/00 Rosebuds - Pittsburgh, PA A FOB: Sonic Studio DSM mics >Battery Box (w/Bass Cut Filter) >Sony TCD-D8 master (KAO Gold KD4-90m) Master Transfer: Sony DTC-ZE700 >Tascam DR-40 (SD Wave Recorder 16/44.1 kHz) WAV >Audacity (Amplify, Track Splits) >FLAC (Level 8) + Tags Via xACT 2.47 Recorded By: Steve Transferred By: King Rue Audacity, FLAC, Tags, & Setlist By: OldNeumanntapr 0 FLAC  
33. 04/17/00 The Birchmere - Alexandria, VA A+ Unknown Audience Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
34. 04/23/00 Higher Ground - Winooski, VT A+ Digital Soundboard; Sony PCM-R500 Post : Sony PCM R500 > Sound Devices MixPre6 (1st gen) [@24/48] Every transfer was processed with Magix AudioLab Premium using: Level Correction, Stereo Enhancer (broaden stereo image) and Graphic EQ (Hi-Fi for music) as well as fade in/fade outs. ************************************************************************ FLAC >WAV >Audacity (Down Sample To 16 Bit / 44.1kHz, Re-Track) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
35. 04/29/00 Wetlands Preserve - New York, NY A+ Digital Soundboard Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
36. 06/01/00 The Majestic Ventura Theater - Ventura, CA A+ Digital Soundboard Trade CD >WAV >Audacity (Combine Tracks, Re-Track Complete Recording) >Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 1 FLAC  
37. 06/07/00 WOW Hall - Eugene, OR A Sennheiser ME-40's >K3U microphones (x/y) >Sony TC-D5M (As Preamp) >Sony TCD-D7 DAT (16/48) Transfer: Sony PCM-M1 DAT > Tascam HD-P2 > SF 8 > WaveLab 5 (UV22HR) > CD WAVE > FLAC >CDR 2 FLAC  
38. 05/05/01 Bluebird Theatre - Denver, CO A Sonic Studios DSM6 > Sony TCD-D7 DAT Transfer:Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
39. 05/27/01 Higher Ground - Winooski, VT A+ Digital Soundboard; Sony PCM-R500 Post : Sony PCM R500 > Sound Devices MixPre6 (1st gen) [@24/48] Every transfer was processed with Magix AudioLab Premium using: Level Correction, Stereo Enhancer (broaden stereo image) and Graphic EQ (Hi-Fi for music) as well as fade in/fade outs. ************************************************************************ FLAC >WAV >Audacity (Down Sample To 16 Bit / 44.1kHz, Re-Track) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) ************************************************************************ FLAC  
40. 06/05/01 Top Cat's - Cincinnati, OH B+ SONY ECM 939LT Mic >SONY MZ-R37 Portable Minidisc Recorder >MEMOREX (2) 74min. MD Masters >SONY MDS-JE440 Home Minidisc Deck > BSR 3000 EQ > PHILLIPS CDR775 Standalone CD Burner (No Distortion, But a Little Shrill At Times) Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
41. 05/14/04 The Cabooze - Minneapolis, MN A Audio Technica AT/ES 943 Cardioids >Battery Box (95hz Roll Off) > JB3 (16bit/44.1khz) Recorded, And Processed, By Ben Turnbull; 15-18ft From Stage, DFC At The Post. Transfer: JB3 > Firewire > PC > DAW > FLAC Editing: Adobe Audition 1.0, CD-Wave (Tracking/FLAC) Traders Little Helper 0 FLAC  
42. 05/25/04 The Downtown - Farmingdale, NY A Unknown Mics >Sony Mini Disc Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
43. 10/20/04 Slims - San Francisco, CA A+ FOB: Neumann KM-140's >Sound Devices MP-2 >SBM-1 >TCD-D8 DAT >HHb CDR 830 >EAC >Audition >CD Wave >FLAC >CDR (Listed As 'KM-140's', But Active Cables Were Likely Used, Which Would Result In: Neumann AK-40's >LC 3 Active Cables >KM-100's >Sound Devices MP-2 >SBM-1 >TCD-D8) 2 FLAC  
44. 05/13/05 Cabooze - Minneapolis, MN A DPA 4061's >HEB Battery Box @16hz >Denecke\Zenifro AD20 >Sony PCM-M1 Trade CDs >WAV >Audacity (Remove ’Clicks’ Before Selected Tracks) > FLAC (Level 8) Via xACT 2.41 Audacity, FLAC By OldNeumanntapr 2 FLAC  
45. 05/17/05 Kryptonite - Rockford, IL A+ Matrix; AKG 522ms >Lunatec V2 + Soundboard >Mackie 1202 >Lunatec V3 (As A/D) >DAT DAT>R44> Audacity 2.0.1> Xact 2.24 > FLAC 1 FLAC  
46. 09/01/06 Mystic Theatre - Petaluma, CA A+ MATRIX: SBD > Sony M1 > Master DAT + Schoeps MK4's > Billbox Preamp > Sony M1 > Master DAT (16bit/48khz) TRANSFER: Master DATs > Sony PCM-R300 > Focusrite Scarlett 6i6 > MacBook Pro > ProTools 2018.1.0 > WAV (48kHz/16 bit) MASTERING: WAV > MacBook Pro > ProTools 2018.12 (EQ, compression, limiter) > WAV (48kHz/24 bit) > FLAC 0 FLAC  
47. 07/05/09 Yale Hotel - Vancouver, BC A Sony ECM-MS907 Stereo Cardioid > Sony MZ-NHF800 Hi-MD Walkman (PCM mode)   2 FLAC  
48. 01/20/10 Belly-Up Tavern - Solana Beach (San Diego), CA A Roland Edirol R-09HR with Church Audio Mics & Preamp Trade CDs >FLAC (Level 8) Via xACT 2.41 2 FLAC  
49. 03/30/10 The Underground - Köln, Germany A- Zoom H2 w/Internal Microphones Remaster (April 2019) FLAC >WAV >Audacity (Change File Names To Reflect Etree Standards, Slightly Re-Track) >FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
50. 06/06/10 Fiesta Del Sol - Solana Beach, CA A- Church Audio Mics & Preamp >Roland Edirol R-09HR   1 FLAC  
51. 12/02/10 SLO Brewing CO. - San Luis Obispo, CA A+ FOB: Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >TCD-D8 Source: Neumann AK-40's (x/y) > LC3 > KM-100's > Beyer MV-100 > TCD-D8 Transfer: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO Master CDs >FLAC (Level 8) Via xACT 2.41 Recorded/Transferred By OldNeumanntapr Location: FOB, left (8' from stage, next to front center ceiling post) 1 FLAC  
52. 10/17/11 Iron Horse Music Hall - Northampton, MA A (FOB center, 15' to stage) SP-CMC-2 cardioids > SP-SPSB-11 > Sony PCM-M10 (24bit/44.1kHz) > HD Transfer: Audacity (normalize, tracking, fades) > WAV (16bit) > TLH (sbefix) > MacFLAC 2.1.2 > FLAC (6) >CDR   2 FLAC  
53. 07/27/12 Sellersville Theater - Sellersville, PA A+ FOB: Schoeps MK-4's > KC5 Active Cables > NBox + > Edirol R-09HR > 24/44.1 wav > Adobe Audition> Korg Aqua > 16/44.1 wav . xACT 2.19 > FLAC > xACT 1.73 > AIFF >CDR   2 FLAC  
54. 11/20/12 SLO Brewing CO. - San Luis Obispo, CA A FOB: Neumann AK-40's (x/y)->LC3->KM-100's->Beyer MV-100->SBM-1->TCD-D8 (Recorded By OldNeumanntapr) Digital Audience Master - Right Hand Side, 10 Feet From Stage. (Only 65 minutes, but not bad for a guy who is 75 years old!) [DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO] CD Master >FLAC (Level 8) Via xACT 2.25 1 FLAC  
55. 12/06/12 Mystic Theatre - Petaluma, CA A+ Soundboard / Audience Matrix: SBD > Edirol R-09 > WAV (48kHz/24 bit) + Schoeps MK4's > Naiant Tinybox > Edirol R-09 > WAV (48kHz/24 bit) MASTERING: WAV > MacBook Pro > ProTools 2018.12 (EQ, compression, limiter) > WAV (48kHz/24 bit) > FLAC April 2019 FLAC >WAV >Audacity (Combine Files To A One-Track File, Re-Track, Down Sample To 16 bit / 44.1khz, De-Amplify By .2 db) FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
56. 12/08/12 Moe's Alley - Santa Cruz, CA A+ MATRIX: SBD > Edirol R-09 > WAV (48kHz/24 bit) + Schoeps MK4's > Naiant Tinybox > Edirol R-09 > WAV (48kHz/24 bit) MASTERING: WAV > MacBook Pro > ProTools 2018.12 (EQ, compression, limiter) > WAV (48kHz/24 bit) > FLAC April 2019 FLAC >WAV >Audacity (Combine Files To A One-Track File, Re-Track, Down Sample To 16 bit / 44.1khz, De-Amplify By .2 db) FLAC (Level 8) + Tags Via xACT 2.47 By OldNeumanntapr 0 FLAC  
57. 04/13/13 Blue Moon Saloon - Lafayette, LA A AKG 460 ck61 (FOB, ROC, PAS) ~> Lunatec V2 ~> Tascam DR-100 mkII (24/96) Audacity (Normalized, 16/44.1) ~> CD Wave (Tracked) ~> TLH FLAC ( Level 8) >xACT 1.73 >CDR >FLAC (Trade CD >FLAC (Level 8) Via xACT 2.41) 1 FLAC  
58. 05/23/13 Canyon Club - Agoura Hills, CA A Audio Technica AT-853 Cardioids >CA-9100 >Sony PCM-M10 (24/96) >Adobe Audition (Normalize, Resample/Dither to 16/44.1) >WAV >Audacity (Track IDs) >Toast >CDR >FLAC Trade CD >FLAC (Level 8) Via xACT 2.41 1 FLAC  
59. 07/07/13 Moe's Original Bar-B-Que - Englewood, CO A Sonic Studios DSM-6 > (85 Cycle Bass Roll-off) > M-Audio Microtrack II   1 FLAC  
60. 07/22/13 North Star Bar - Philadelphia, PA A- (FOB Left, 10' From Stage) Giant Squid Omnis >Edirol R-09 16 bit WAV> Mac OSX 10.6> Audacity> xACT> FLAC >xACT 1.73 >WAV >CDR >FLAC 1 FLAC  
61. 07/23/13 Iron Horse Music Hall - Northampton, MA A (FOB Center, 12' To Stage) SP-CMC-2 Cardioids >SP-SPSB-11 >Sony PCM-M10 (24bit/44.1kHz) Transfer: Audacity (normalize, tracking, fades) >WAV (16bit) >xACT 2.20 (sbefix, encoding) >FLAC (6) 2 FLAC  
62. 04/21/14 Blue Moon Saloon - Lafayette, LA A+ AKG ck61 (DINa, Right speaker) ~> Naiant Couplings w/PFA ~> Lunatec V2 ~> DR-100 mkII (24/48) Audacity (normalized, 24/28) ~> CDWave ~> TLH FLAC (level 8) >Wetransfer~> Audacity (16/44.1) tracked ~>xACT 2.25 FLAC (Level 8) 1 FLAC  
63. 07/23/14 The Magic Bag - Ferndale, MI A FOB, Right: Church Audio 14's >Church Audio 9100 > Sony PCM-M10 Processing: 24/48 wave >SoundForge/Izotope-16/44 wave >CD Wave (WAV Via Wetransfer.com) >Audacity (Track Splits) WAV >FLAC Via xACT 2.28 (Level 8) (Recorded/Transferred By Raving & Drooling. Audacity Track Splits By OldNeumanntapr) 1 FLAC  
64. 08/04/14 Iron Horse Music Hall - Northampton, MA A SP-CMC-2 cardioids > SP-SPSB-11 battery > Sony PCM-M10 (24bit/44.1kHz) Transfer: Audacity (normalize, tracking, fades) > WAV (16bit) > TLH > FLAC (6 2 FLAC  
65. 04/11/15 Blue Moon Saloon - Lafayette, LA A AKG ck61s (DINa, Right speaker) ~> Naiant Couplings w/PFA ~> Lunatec V2 ~> DR-100 mkII (24/48) Audacity (normalized) ~> CDWave (tracked) ~> TLH FLAC (8) FLAC >WAV Via xACT 2.35 >Audacity (Track Splits, Down Sample / Dither To 16/44.1) >FLAC (level 8) Via xACT 2.35 (Recorded and Transferred by jimmiec; Tracked / FLAC’d by OldNeumanntapr) 0 FLAC  
66. 07/23/15 Bluebird Theatre - Denver, CO A Sonic Studios DSM6 >85 Cycle Bass Roll-Off >Microtrack 24/96 Transfer: Memory Card > Wavelab (tracking and tweaking) > Flac (level 8), WAV (Via xACT 2.37) >Audacity (Track Splits) >FLAC (Level 8) Via xACT 2.37 Recorded & Transferred By Unknown xACT + Audacity By OldNeumanntapr 0 FLAC  
67. 08/07/17 Shank Hall - Milwaukee, WI B+ Zoom H2 w/Internal Microphones Sound Is A Bit Muddy & Lifeless 0 FLAC  

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